Here at RISE Design Studio, you could say that wabi-sabi is “part of our DNA”. A world view that stems from Japanese aesthetics, wabi-sabi is the acceptance of transience and imperfection. It can include asymmetry and simplicity, as well as an appreciation of the integrity of natural objects and processes. Or, put simply, it is all about celebrating the beauty of a naturally imperfect world.
Natural and light
A wabi-sabi house is filled with air and light. Soft, natural lines allow us to find beauty in asymmetry, and a strong connection with nature is achieved through natural materials such as wood, stone and clay. Wabi-sabi also seeks to reduce the number of objects in the home that we don’t need, without making the home feel cold or sterile (a house is, after all, a place to be lived in). The spaces are warm and welcoming, thanks to the use of natural colours and materials, particularly wood and stone. Colours also tend to be inspired by nature, bringing balance and serenity to the home.
Embracing imperfection and authenticity
Wabi-sabi has cultural and historic links with the traditional Japanese tea ceremony. If you haven’t experienced this, the atmosphere is generally calm and relaxing with simple routines that centre on the tea. Often, the crockery used in the ceremony is faded or damaged, as a result of being passed down the generations. A fantastic example of wabi-sabi is the art of ‘kintsugi’, which is where cracked pottery is filled with a form of gold-dusted lacquer to showcase the beauty of its age, rather than hiding it.
In the home, choosing authentic furnishings creates a lived, harmonious space. Sourcing furniture that has been passed down through the generations allows each scratch to add to the narrative of that object’s history. It also alllows us to turn away from the ‘throwaway’ culture that we are learning is so damaging to our environment, to appreciate the ‘true and humble’ that wabi-sabi emulates.
Existing in the now
Wabi-sabi can also be applied to your daily life. It is a state of mindfulness which involves ‘living in the now’ and finding satisfaction even when it’s easy to think the opposite. If you trace wabi-sabi all the way back to its roots, the Buddhist teachings of the ‘Three Marks of Existence’ would guide you to embrace impermanence, acknowledge that suffering is a part of life that can ultimately lead to growth, and accept that we are always in a state of flux.
In times when we might constantly compare ourselves to others, there is no harm in taking the time to appreciate what we have. It is this mindfulness and appreciation of the ‘now’, with all its imperfections, that we try to capture in our work.
